Patricia Morison

Patricia Morison

Woefully misused while in her prime screen years at Paramount during the late '30s and '40s, Patricia Morison, lovely and exotic with Rapunzel-like long, dark hair, nevertheless became a star in her own right -- as a supremely talented diva on the singing stage. Born on March 19, 1915, in New York City, her father, William Morison, was a playwright and occasional actor who billed himself under the name Norman Rainey. Patricia's mother worked for British Intelligence during WWI. Graduating from Washington Irving High School in New York, Patricia studied at the Art Students League and proceeded to take acting classes at the Neighborhood Playhouse while also studying dance with the renowned Martha Graham. She earned a steady check at the time as a dress shop designer. At age 19 Patricia made her Broadway debut in the short-lived play "Growing Pains" and proceeded to understudy the legendary Helen Hayes in her classic role of "Victoria Regina". She never went on. In 1938, shortly after opening in the musical "The Two Bouquets" opposite musical star Alfred Drake, Paramount talent scouts, looking for exotic, dark-haired glamour types then to rein in their star commodity, Dorothy Lamour, scoped Patricia out and tested her. The blue-eyed beauty who indeed resembled Lamour was signed and made her film debut the following year, showing bright promise in the "B" film Persons in Hiding (1939). Patricia's stock did not improve, however, despite such promise, and she was relegated to such second-string westerns as I'm from Missouri (1939), Rangers of Fortune (1940), Romance of the Rio Grande (1940), and The Round Up (1941). When things didn't improve with such stilted fare as Night in New Orleans (1942), Beyond the Blue Horizon (1942), and Are Husbands Necessary? (1942), she left Paramount. She freelanced in 'other woman' roles which included the Tracy/Hepburn vehicle Without Love (1945) and The Fallen Sparrow (1943), and played Empress Eugenie in The Song of Bernadette (1943), but the focus was seldom on her. Overlooked when cast in top leads at 'poverty row' programmers, her best chance at film stardom came as Victor Mature's despairing wife who takes her own life (which was to have been shown on screen) in Kiss of Death (1947), but her juicy role was excised from the film by producers (or, more likely, the Breen Commission) who felt audiences weren't ready for such shocking displays. During the war years, Patricia had trained her voice and performed in USO tours. Cole Porter heard her sing in Hollywood one evening and decided she had the right tenacity, feistiness and vocal expertise to play the female lead in his new show. In 1948, over the objections of both the producer and director, stardom was clenched in the form of Porter's classic musical-within-a-musical "Kiss Me Kate." As the sweeping, vixenish Lilli Vanessi, a severe-looking stage diva whose own volatile personality coincided with that of her onstage role (Kate from "The Taming of the Shrew"), Patricia found THE role of her career, giving over 1,000 performances in all. Playing again alongside her former Broadway co-star Alfred Drake, Patricia basked in the multitude of glowing reviews, and such songs as "I Hate Men," "Wonderbar" and "So In Love" rightfully became signature songs. Following this triumph, film work never became a top priority again. Patricia continued on successfully in the London version of "Kate" and went on to conquer other classic leads in the musicals "The King and I," "Kismet," "The Merry Widow," "Song of Norway" and Pal Joey," among others. Her last movie role was a cameo part as writer George Sand in the mildly received biopic Song Without End (1960) starring Dirk Bogarde as composer Franz Liszt. On TV Patricia recreated her Kate role with Mr. Drake and made a few scattered but lively appearances over the years. One of her later guest shots was on a 1989 episode of "Cheers" and a 1991 episode of "Gabriel's Fire." In later years the never-married actress devoted herself to painting (an early passion) and enjoyed many showings in the Los Angeles area. The lovely lady with the trademark long hair died in L.A. at the age of 103, on May 20, 2018.
Patricia Neal

Patricia Neal

Patricia Neal, the Oscar and Tony Award-winning actress, was born Patsy Louise Neal in Packard, Kentucky, where her father managed a coal mine and her mother was the daughter of the town doctor. She grew up in Knoxville, Tennessee, where she attended high school. She was first bit by the acting bug at the age of 10, after attending an evening of monologues at a Methodist church. She subsequently wrote a letter to Santa Claus, telling him, "What I want for Christmas is to study dramatics". She won the Tennessee State Award for dramatic reading while she was in high school. She apprenticed at the Barter Theater in Abingdon, Virginia, when she was 16-years-old, between her junior and senior years in high school. After studying drama for two years at Northwestern University, she headed to New York City and landed the job as an understudy in The Voice of the Turtle (1947). It was the producer of the play that had her change her name from Patsy Louise to Patricia. After replacing Vivian Vance in the touring company of "Turtle", she won a role in a play that closed in Boston and then appeared in summer stock. She won the role of the teenage "Regina" in Lillian Hellman's play, Another Part of the Forest (1948), for which she won a Tony Award in 1947. Subsequently, she signed a seven-year contract with Warner Bros. In the first part of her film career, her most impressive roles were in The Fountainhead (1949), opposite Gary Cooper, with whom she had three-year-long love affair, and in director Robert Wise's sci-fi classic, The Day the Earth Stood Still (1951), which she made at 20th Century-Fox. Warners hadn't been thrilled with her and let her go before her contract was up, so she signed with Fox. With her film career stagnating, she returned to Broadway and achieved the success that eluded her in films, appearing in the revival of Hellman's play, The Children's Hour (1961), in 1952. She met and married writer, Roald Dahl, in 1953, and they would have five children in 30 years of marriage. In 1957, she had one of her finest roles in Elia Kazan's parable about the threat of mass-media demagoguery and home-grown fascism in A Face in the Crowd (1957). Before she had appeared in the movie, Neal had taken over the role of "Maggie" in Tennessee Williams' Cat on a Hot Tin Roof (1958), the Broadway smash that had been directed by Kazan. Returning to the stage, she appeared in the London production of Williams' Suddenly, Last Summer (1959) and co-starred with Anne Bancroft in the Broadway production of The Miracle Worker (1962). After appearing in Breakfast at Tiffany's (1961), she had what was arguably her finest role, as Alma the housekeeper, in Hud (1963) opposite Paul Newman. The film was a hit and Neal won the Best Actress Oscar. In 1965, she suffered a series of strokes that nearly killed her. She was filming John Ford's film, 7 Women (1966), at the time, and had to be replaced by Anne Bancroft (who would later take a role she turned down, that of "Mrs. Robinson" in The Graduate (1967)). Neal was pregnant at the time. She underwent a seven-hour operation on her brain and survived, later delivering her fifth child. She underwent rehabilitation supervised by her husband. She had turned down The Graduate (1967) as she had not recovered fully from her stroke. When she returned to the screen, in 1968 in The Subject Was Roses (1968), she suffered from memory problems. According to her director, Ulu Grosbard, "The memory element was the uncertain one. But when we started to shoot, she hit her top level. She really rises to the challenge. She has great range, even more now than before". She received an Oscar nomination for her work. Subsequently, new acting roles equal to her talent were sparse. She did receive three Emmy nominations, the first for originating the role of "Olivia Walton" in the 1971 TV movie The Homecoming: A Christmas Story (1971), that gave birth to the TV show The Waltons (1972). Patricia Neal died on August 9, 2010 in Edgarton, Massachusetts from lung cancer. She was 84 years old.

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